This post opens my web site to the public. It is not the first post as I created many in the process of learning how to use this site. I have left a few that I thought might be fun and give you a sense of who I am besides a photographer. The primary purpose, though, is to provide a place online where others may view my images. The Galleries are organized by theme and each has 7-15 images relating to the theme. The images that are there now will stay the same for quite a while but I will either replace them eventually or add sub galleries with different images. I will also add new themes as they arise.
Each gallery features a collection of images in a grid. Clicking on any one of them will launch a slide show that you control using the forward and backward arrows on either side of the image that appears.
Owing to a snafu with the original reception date and given the current surges of COVID cases, new and breakthrough, I decided to cancel the reception for this exhibit. No sense in exposing myself and others unnecessarily. Do stop by the library if you are in the area in September. I just hung the show today and it looks quite nice. You’ll find a number of the hanging images here and below are a some that are newer.
Our local library has resumed on site art exhibitions and I will be the featured artist for this September (provided the delta variant doesn’t close us down again).. Here’s one of the posters I’ve created to publicize the show. Do stop by if you’re in the area: Vista Grange Public Library, 14 Avenida Torreon, Santa Fe, NM 87505. Reception Saturday, Sept. 4, 1-3 pm.
Praxis Gallery in Minneapolis recently accepted one of my images for their up coming show, the invitation for which is below.
The show runs through July 3, 2021 and will be accessible online after June 19th. Here’s the image picked by the juror for inclusion.
There are a large number of splendid monochrome photos in the exhibition that can be enjoyed online. I will send the link when it becomes available but in the meantime you may want to check out their other recent exhibitions.
Praxis Gallery in Minneapolis, MN is mounting a show called “Animal Beings.” I liked the theme and submitted a whopping seven images (I usually never submit more than five) to the juror. The Iguana Portrait above was one and here are the other six.
One got chosen for exhibition. Which one would you choose? The juror picked this one.
The show runs from March 20 through April 3, by appointment only at the gallery. It should be available for viewing online at the Praxis site. If not, I will post the link when I get it.
Because of the pandemic restrictions, this annual show will be, like many others, a virtual exhibition, available for viewing onlineonly. The good news is it will up for nine months, December 26, 2020 until September 30, 2021.
I am, as always, pleased to have my images juried into this show and there is a little story that goes with this year’s selections. Several years ago I had submitted and had accepted into the show one of these Taos images, the one titledNo Sanctuary – Taos, 1847. I printed, matted and framed it in one of my new beautiful, brushed Aluminum frames only to have it returned to me, unhung, because the frame was gray, not black! Since this show is virtual, frames are not an issues so I decided to submit it again along with two companion Taos images and all three were accepted. They are:
This exhibition was scheduled for the month of September, 2020, at the Vista Grande Public Library in Santa Fe, NM. Because of the restrictions of the COVID19 pandemic, the library has been opened on a limited basis and, as of this writing, is likely to continue in that mode for the foreseeable future. The show that would have been hung will be presented in virtual form on the library’s website. I am presenting it here as well, divided into two slideshows: squares and blurs. Note you can stop the autoplay by clicking on the button in the upper right corner of each image. Please see the previous post for an introduction to the exhibition.
A few years ago I saw an exhibition of small, square format black and white images of Michael Kenna. They were powerful in their elegance and simplicity; I was surprised such small landscapes “worked.” I determined to try my hand at square format. I found myself looking at images with an entirely different eye, finding my impression of the landscape rather than the landscape itself and directing viewers to that intent.
The challenge is to simplify the composition, to distill the essence that makes the scene special. It is a very satisfying exercise and one that is by no means finished as I continue to search for the right balance between shape and texture, the optimum placement of elements within the square and the effective use of negative space. An example may help illustrate these ideas.
This is the original lake trees image. The final image follows.
Here I wanted to reduce the image to what essentially attracted me: those dead trees trunks sticking up from the water. Converting to black and white emphasizes form and texture without the distraction of color.
In the slideshow which is the next post, the black and white square format images are my earliest; the color images more recent.
I use “blurs” to summarize a variety of manipulations that can be used to render a straightforward photograph more aesthetically pleasing, more faithful, perhaps, to an original impression, evoking an ethereal or mysterious atmosphere. The intent might be to create a gentler feel or emphasize a more graphic or abstract quality.
Photographers have been doing this from the inception of the medium, sometimes because they had no choice, then purposefully by the Pictorialist School in the late 19th and early 20th centuries to emulate the look of “art.” More often it is done to follow the urges of a personal aesthetic sense. Here is an example.
This is the original at the shore image. The final image follows.
At the Shore
This is all about abstraction, presenting the shapes and colors without the distracting detail of the sand pebbles and the small lines of waves. It fits how I see, feel the scene when I am lying in the sun on a beach squinting at the ocean. That little bit of magenta in the mid ground which is easy to ignore or miss in the original becomes more prominent.
There are myriad darkroom techniques to achieve these effects. I have used what amounts to a digital darkroom to transform certain images into something more than an accurate record of a scene, something that allows me to use my imagination and, I hope, engage yours.
I like making photo books but don’t really look at them as often as I’d like to see the images, especially if they remind me of a very special time, place. For these I make a poster or a montage of the images and hang it someplace where I see it often. Here’s my poster for the super bloom.
This year started out great for photography with acceptance into the 2020 Anza Borrego Desert Photo Contest . This contest was preceded, in the spring of 2019, by a spectacular super bloom in the Coachella Valley and surrounding areas, a super bloom of quality and quantity that had not been seen in decades. And I was there for both of these shows!
Anza Borrego Desert Photo Contest
One of my favorite places is the Anza Borrego Desert State Park in southeastern CA. It covers over 600,000 acres of wilderness and mountains, much of it inaccessible except on foot. What is accessible are vast areas of badlands, palm oases, slot canyons, 4 wheel drive roads, broad vistas – a landscape photographer’s paradise. Each year a photo contest, limited to images taken within the park boundaries, entices hundreds of photographers to show their work.
Although photographing there for years, it did not occur to me to enter the photo contest until last summer, after having spent many hours pursuing the fabulous wildflowers of the super bloom. I had lots of images to choose from and submitted, digitally, the 10 allowed. I was surprised and pleased when 8 of those 10 made the first cut, the final couple hundred from which the judges would pick winners in each of the six categories. Submission then required the images to be printed, mounted and delivered to Borrego Springs, a small town that sits in the middle of the Park. Wintering now in the Coachella Valley, it was a pleasure for me to make the delivery. Here are the 8.
The last two images, Palm Oasis and Feast for a Desert Prince, were awarded Honorable Mention in the Black and White and Animals category, respectively, and were displayed, along with all the winners, during the month of February at the Borrego Art Institute in Borrego Springs. At the excellent critique session that preceded the opening reception I discovered, to my surprise, that almost all the winners were local, professional photographers. I was in very good company.
Super Bloom 2019
The images above with wildflowers were taken in the spring of 2019 during that amazing super bloom. I was enchanted with the wildflowers, vast fields of which replaced the drab greens, grays and tans of the desert with purple, pink, yellow and white. They appeared not only in the expanses of the neighboring parks but also on every vacant lot, every patch of bare ground in the urban sprawl of the Coachella Valley.
I marveled at the vistas, but also saw stunning arrangements of flower varieties set among rocks, in dry arroyos, up hillsides and, of course, individual flowers. I photographed them all hoping, someday, someway to give others a glimpse of this glory. A book? Sure, but then I was daunted by the task of identifying all those flowers and just set the whole idea aside. The Anza Borrego Photo Contest spurred me to cull these photos for suitable entries, but the real motivator to create a book was the COVID19 pandemic with its mandated stay at home regimen.
The book, Super Bloom 2019, was just published by Blurb, You can see a preview of the whole book here. What follows are some of the images not in the book.
I went on my first ever photography workshop, to Costa Rica, in early
June 2018. It was just the beginning of the rainy season and although
there was rain most days it did not last long and did not interfere with
our expeditions. Indeed, some of the macro images of plants and
flowers benefited from the left over water droplets. The heat and
humidity were impressive to this desert dweller.
The Osa Peninsula, where we spent the entire trip, is at the southwestern corner of Costa Rica. Although this small country has 5 million
inhabitants, 3 1/2 million of them live in the capital, San Jose. The rest of the country is sparsely populated and the Osa Peninsula is largely rain forest. Within this small peninsula live an astonishing variety of wildlife, including all four species of monkey found in the country.
Lush tropical plants, flowers, bugs and birds abound.
The pace of this workshop was exhausting but the company was good and the food and accommodations superb. I came home with about 1500 images (and that was minimal; one man took 10,000 pictures!) and was totally overwhelmed with the prospect of culling then editing them. I set them aside for a few months, occasionally checking to see if anything looked worth pursuing but not being tempted until I came upon the image above. It made me smile and inspired me to seek out others that had that quality. Invariably these were of monkeys and so the theme Monkey Business emerged. I created a book and had a show at the local library with that title. Once started I found choosing and editing with a purpose the enjoyable activity I’ve always experienced. The book and the show were rounded out with images of other creatures and colorful flora. Here are some of the images shown.
BTW, I donated sales from the library show to the library’s Children’s Programs, ~$250; very satisfying.
I plan to add a gallery page with these and more images from Costa Rica in a format that will allow you to pick and choose and linger if you like. Watch this space!